Of Monsters And Men - Silhouettes
It’s hard letting go,
I’m finally at peace, but it feels wrong,
Slow I’m getting up,
My hands and feet are weaker than before.
And you are folded on the bed
Where I rest my head,
There’s nothing I can see,
Darkness becomes me.
My project for his class was to make this wooden box. You know, like a small, just like a… like a box, you know, to put stuff in. So I wanted to get the thing done as fast as possible. I figured I could cut classes for the rest of the semester and he couldn’t flunk me as long as I, you know, made the thing. So I finished it in a couple days. And it looked pretty lame, but it worked. You know, for putting in or whatnot. So when I showed it to Mr. Pike for my grade, he looked at it and said: “Is that the best you can do?” At first I thought to myself “Hell yeah, bitch. Now give me a D and shut up so I can go blaze one with my boys.” I don’t know. Maybe it was the way he said it, but… it was like he wasn’t exactly saying it sucked. He was just asking me honestly, “Is that all you got?” And for some reason, I thought to myself: “Yeah, man, I can do better.”
Do not be fooled by its commonplace appearance. Like so many things, it is not what outside, but what is inside that counts. This is no ordinary lamp. It once changed the course of a young man’s life. A young man, who, like this lamp, was more than what he seemed. A diamond in the rough.
This is David Tyler’s introduction speech, John Finnemore’s welcome and thank you speech, as well as a gag reel of sorts. There are no episode spoilers, except for the names of the cast present.
10 reasons to be Kristen Bell’s date to the Veronica Mars World premiere - #7 (x)
Dead Poets Society (1989)
31-34 | 100 - Karl Urban
You don’t know anything about human nature, do you?
Nature, no. Human… no.